Dinesh Raheja tips his hat to his favourite Raj Kapoor movie, as we continue celebrating the legend's birth centenary.

Within his short lifespan of 63 years, Raj Kapoor left behind an incredible cinematic legacy. Dinesh Raheja continues celebrating Raj Kapoor's birth centenary by looking at seven sequences from his films that have defined Hindi cinema.

Dinesh Raheja views Raj Kapoor's cinema through his women, while celebrating his birth centenary on December 14.

Shailendra's songs were attuned to Raj Kapoor's explorations of the themes and dreams of the Everyman.

'Earlier, the comedy track used to run parallel to the main story with songs et al.' 'Nowadays, it's just once one scene here and there.'

'If I got more work, I would do even more! Recently, I did the Tanishq ad.' 'I keep working because I am fit. I love acting, that is my relaxation.'

Zeenat Aman had scored more hit songs than any of her contemporaries. This can be attributed partly to happenstance and partly to the fact that her forte for high glamour could be showcased most winningly in a crowd-pleasing number, observes Dinesh Raheja.

None of Amjad Khan's subsequent roles could outshine Sholay. He had begun his career at the top and had no higher peaks left to conquer. Dinesh Raheja salutes the iconic actor on his 80th birth anniversary.

The tide has turned for Sunny. He has another actioner in the upcoming Jatt and has reteamed with Rajkumar Santoshi after almost three decades for the Aamir Khan produced Lahore 1947.

At many stages, it has appeared as though Sunny Deol's career was running out of steam, but each time he has risen Phoenix-like from the ashes. Dinesh Raheja gives us a closer look at the man on his 67th birthday on October 19.

Rajesh Khanna: 'When I saw Namak Haram at a trial at Liberty cinema, I knew my time was up.' I told Hrishida, "Here is the superstar of tomorrow".'

Amitabh Bachchan: 'Success didn't affect me at all.' Rajesh Khanna: 'I felt next to God!'

When you are in love, you are preoccupied just with that.' 'Nothing else registers. It's like being drugged.'

Mithun Chakraborty started from scratch in bit roles and had no Godfather backing him. Yet, remarkably, his career now straddles six decades and he continues to win acclaim, observes Dinesh Raheja.

'At one time, I felt being a mother was the ultimate experience, a woman was not complete without it.' 'Now I feel it's not the be all and end all. Motherhood is a part of a jigsaw puzzle; life is the real big picture.'

'My trajectory right now is five steps forward, two steps backwards.'

Mehmood and R D Burman shiver, wail and flail when they encounter a stuffed tiger that wags its tail, furniture that moves on its own volition and dancing skeletons and mummies. Dinesh Raheja revisits a must-watch.

Rehana Sultan was all set to be a path-breaker. The time was right. Hindi cinema had emerged from the 1960s musicals era. But somehow, leading film-makers of the time did not believe Rehana had that cachet. It was Zeenat Aman who ended up being the definitive taboo-trasher of the era. Dinesh Raheja salutes the trendsetter of the 1970s, Rehana Sultan.

'All through the making of Dil Daulat Aur Duniya, Rajesh Khanna never acknowledged me.' 'Dev Anand couldn't carry off a dhoti in Insaaniyat. He told me that he would never wear one again.' 'Shammi Kapoor and I began on an icy note during Raajkumar, but once the cold vibes thawed, we became the best of buddies.'

Salim-Javed became the first Hindi film writers who could be considered brands, and they are still boldface names, celebrities in their own right, chronicles Dinesh Raheja.